aquatic techno-electro tracks on this new possblthings label produced by robyrt hecht, milium and xy0815 delivering funk driven electro funk tracks to this leipzig based record shop that is widen its activities with the start of this fresh new label!!

the third from farbwechsel and the first one from route 8 is back on vinyl. mental murder ep is a lo-fi jack gem with four tracks from the prince himself and a remix from the houston-based house wizard miguel flaco. mental murder is a fateful stab wound with a blunt, rusty knife straight to your brain, which causes a kind of lobotomy happiness.

brian auger, the london born keyboard genius & musical pioneer, lauded and loved by everybody from herbie hancock to mose allison, from the brand new heavies to the beastie boys, whose tracks have been sampled by mos def, common, air and kid loco, and his original compositions covered by sarah vaughan, richard groove holmes and he is the proud recipient of a us congressional award for services to jazz!
back to the beginning..again is a fantastic collection that demonstrates why brian auger is considered legendary.

an all-instrumental journey through numerous genre-crossing worlds. features members of antibalas (daptone records) and beastie boys’ synth master money mark. coke bottle clear vinyl, limited to 500 copies. les yper sound presents an all-instrumental journey through the many worlds of drums and saxophones. in early 2016, new york session musicians miles arntzen and jas walton—who both currently play in afrobeat ensemble antibalas—began experimenting with their respective instruments in miles’s greenwich village basement. they composed demos that were made up of miles’s percussion, jas’s woodwinds, and the sounds of everyday objects

0100110110 is an abstract combination of techno electronica with no rules and no boundaries.the sound is completely analogue with hypnotic sequences, dark drones, violent percussion, twisted pads and distortions that will strom through your brain and shake up every certainty in your mind. the project is a fusion of sounds created by the visionary artistic ideas of italian duo steve lorenz and low manuel through combining their differentiating synthesizers.

rihanna präsentiert ihr achtes studio-album -anti- inklusive der hit-single -work feat. drake.

vinyl only. the 4th release from nicolas lutz s my own jupiter. the mind bending album by digregorius from uruguay. again, one and only!!

after releasing one of lobster theremin’s biggest eps in the shape of “rules”, we’re please to finally see panthera krause back in the lobster den with a trippy, head-spinning white label of lucid house and acid.
drawing from a spectrum of electronic-island tropes blended with early 90’s rave, krause develops the chunky mpc-led sound of that first ep by adding layers of shimmer synth work, clanging piano samples, intergalactic acid processing and proper brain-churning drones from beyond the purple sea.

what would it feel like to have your naked body slowly submerged in a pool of steaming acid? one would expect unbearable pain, of course - beyond the limits of our imagination - but with his acid ambient vol. 1 on kontra-musik, daniel araya proves us wrong. the ems studio engineer and producer adjusts the intricate ph levels of this corrosive bubblebath with infinity skilled hands, making the experience thoroughly pleasurable - on the verge of erotic even. your skin melts away with a sweet sensation of laxity and your muscles and tendons dissolve sensually slow. at the end, nothing will remain below the surface but the pleasure center of your now diffused brain, pulsating with unrestrained satisfaction. so come on in, the acid is fine.

19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before! bocal 5 were a no wave art group composed of doc pilot (synths, vocals), zouka dzaza (bass), florian guillou (synths), mickey lepron (electronic drums, bass) and evy tinguette (lead vocals). the project was born in november 1980 in tours, france as the brain child of doc pilot. between 1981 to 1986 bocal 5 recorded one 7inch single and a cassette-only album before taking a year off in 1984 to launch x-ray pop. influenced by erik satie, brigitte bardot, suicide and young marble giants, they call their music-minimum naive new wave.

circus recordings boss yousef teams up with renowned new york producer harry romero on jamie jones hottrax featuring a remix from 8 sided dice founder alan fitzpatrick. liverpools yousef has cemented a solid reputation as a reputable dj-producer whos released on cocoon, desolat, bpitch control and defected, remixed the likes of chaka khan, sven vath, moby, four tet and carl cox, and is also the brain behind distinguished events brand and record label circus. meanwhile, harry romero has been a force within house music for over two decades, with appearances on ovum recordings, subliminal and suara, whilst alan fitzpatrick has done recent remixes for prime numbers, hot flush and hypercolour when not releasing regularly on drumcode, cocoon and duskys 17 steps. arriving on hottrax, the artists join a roster spanning patrick topping, waff, mat.joe and jamie jones himself. a purring bassline drives im behind you forward whilst intricate percussion joins echoing notes to generate a low-slung groove. recent fabric mix series inductee alan fitzpatricks remix then ups the tempo by utilising heady piano melodies and piercing stabs before yousef concludes the package with a crunchy solo outing titled tightrope that boasts energetic drums and stuttering vocal snippets

repress 2016 ** wicked new tom ellis on logistic + baby ford remix!! top tune of the month in idj mag & dj mag in uk!! support by : hawtin, sascha dive, luciano,camea, cabanne, dan curtin,losoul

the ep entitled deceased unknown, a seemingly morbid piece of art (art/music) but look a little deeper! this ep sees b12 pick up the pace from their previous firescope release brokenunbroken “coduktor” an organ plays some subtle chords behind this track while beautiful drums skip along on top, to create a sonic backdrop for the very quirky melodies and top lines that constantly evolve and interpolate. a spiritual experience ? “dont look down” 808 and 909 drum and pads always a killer combination add to this an odd malformed bass line which never really reveals quite what it is doing makes for a pretty interesting track. don’t look down where is the question “blue and green capsule” a pumping kick drum sets the pace for this track which builds up using classic b12 style drums. the swirling pads and sliding melodies interlaced make this track reminiscent of “epillion” as featured on the classic b12 album “time tourist” on warp records in 1996. a track you can move your feet as well as your head to “minor decay” brain decay , world decay , urban decay , human decay , music decay, unavoidable decay - a simple straightforward techno track using its simplicity to conjure up feelings of sadness and thoughtfulness as well as joy and hope. a new hope finished in glorious red with black splatter vinyl with exclusive artwork by sarah sparkes

each of the four untitled tracks offers a different bassline groove paired with slowly unfurling cosmic sound design, featuring synthesizer leads that sound like an aural glimpse into the inner workings of your brain.

randy barracuda & stiletti-ana present mlipuke! -mlipuke- is a misspelling of the swahili word for explosion -mlipuko-. explosive is also the word to describe the mixture of styles the finnish duo put together. the combination of wild afrobeat flavours and salty scandinavian funk results in a big bang of taste on the first bite. take the cosmic ride throughout three different interpretations of mlipuke and let the afro suomian energy flow! the remix of legendary british producer clatterbox adds his unique brain dance mystery to the explosive cocktail and makes it boil over!

with an eye in the past and a foot in the future, acid avengers aims at federating the vibrant but little recognised acid french scene. through a series of split eps (jaquarius, monoenzyme-307, voiron, botine, umwelt, paris acid boys), the record label celebrates the hallucinated sounds of the golden age of rave. for that first release of fucked-up electro and raw techno, jaquarius and mono-enzyme 307 resuscitate the nineties sounds through a modern understanding of acid music. an ep for the legs and the brain, that will thrill all the braindancers

minim records gathers a quartet of bumpin sleek sounds from around the globe for the anticipated 002 va. “stardub” finds romanian producer mano andrei layering ethereal, muted pads over some raw percussives, tight driving kick and body moving bassline, while montreal gearhead pheek’s “glad i say” mates tech house bounce and sine-wave wubs to a creaky, industrial sonic palette. uk trackslinger tijn pictures the “cosmos” bursting with angular breakbeats and 4/4 subs, as the talented ukranian producer/dj and tvir label boss komponente tweaks percussive tones, punches the kick, and adds a coating of sonic grit on the brain-bending “amigdala”.

last spotted on the exaltics’ solar one imprint and the hague’s notorious bunker label, enigmatic producer q-chip unleashes a 6-track ep on gnosis, following the labels inaugural release from myriadd (aka mantra). ‘access consciousness’ is the logical 21st century progression in an electronic music lineage that can be traced from the blueprint laid down by kraftwerk’s ‘man machine’ aesthetic through drexciya in their various incarnations. armed with his machines, q-chip harnesses the energy of pure voltage and sculpts it into sonic visions of the future, whilst acknowledging the rhythmic foundations of electro. this is music that is in essence synthetic and yet at its core human. immaculately produced and conceived, utilising precision tooled beats, deep analogue basslines, eerie glacial synth work and economical vocals deployed to maximum effect. dynamic and inventive arrangements ensure this slab of wax will be in the crates of many discerning electro djs long into the future and should appeal to any ears seeking science fiction through sound.

nice price deal !!! kommt als superlimitierte auflage in einer speziellen hardcover box, 3 x 7 inch plus cd im alurahmen (cd enthält das komplette album & video), sehr hochwertige verarbeitung.

following hot on the heels of tadd mullinix’s ‘skein’ - bopside’s second album release for 2016 comes from label owner tadd mullinix’s dancefloor destroying nom de plume who needs little introduction: jtc. an 8 track concise body of work perfectly calibrated for dj use and home listening alike, where the beats hit hard and the melodies linger in your brain.

dirt fishing is the follow-up to ‘slag heap’ nrv001 (a split 12” made up of sounds recorded in a slate mine). this time it comprises of recorded sounds encountered during a day of metal detecting on walthamstow marshes. the recordings include the direct output from the proximity sensor on the metal detector, ambient eld recordings from the environment, conversations with friend and fellow dirt sher, glen, and separate sounds recorded by knocking, tapping and rubbing the found items.

fangos non-traditional journey through the human body continues. after the first essay on interior organs viscera 1/3, its now the turn of the central nervous system to be analyzed. and here comes cerebellum, nervum and cortex, three delicate operations of surgery on the inner workings of fangos head. part 2 of a trilogy that fango conceived on the physicality of music, tracks that are going straight to your heart, to your stomach and so on. in this case its your brain and we hope to give you a nervous breakdown. enjoy.

firm favourite dmx krew returns to shipwrec for his third release. a spiral of styles come together for mini-owner. funk. electro. synth. all are twirled, whirled in a shimmering sound. cold chords meet warm fronts, meandering grooves and playful interlock to produce a sound that is totally unique. energy levels are high throughout, sun soaked synthlines dappled by glowing rhythm patterns as ed dmx delivers six tracks of grin-inducing electronics. first run pressed on 200 coloured copies.

tetsumasa’s debut ep “asa” on his own saidan label. solid sounds between savage broken rhythms somehow feels urban, flat and texturally dry. various sound components such as dub, noise, bass music and ambient are mixed within and thus creating unique sound world. it is expectable from his irregular beats that one of his music roots is abstract hip hop. “asa ep” has a remix from mogano, the owner of berlin label arboretum. tetsumasa doesn’t need a concept. this is his own sound pieces you can experience a variety of sensations.
pressing on grey marbled vinyl.

blow out - summer 2016 nice price action ...back after a two year hiatus following their top 10 hit with >the creeps<, freaks launch their next episode with >umakenosense<, a mind-bending electronic monster package complete with bad ass radio slave remix.
>umakenosense< is a distorted trip into psychedelic territory through a minefield of cosmic energy. this is music that appeals to the mainstream and the dark underground, a formula that freaks have achieved time and time again.
radio slave has become renowned for his epic reworks, producing some of the best-loved remixes of the past few years. he doesnt disappoint with an expedition through low-end and high-octane stratospheres shaking out thegroovy beast and creating a sonic soundsystem mash up of a remix ... rewind!
freaks was originally the brain child of bournemouths justin harris and london-based luke solomon, but has mutated through its live format into a 6 piece outfit incorporating the infamous jonny rock on guitar, sascha darroch davies on drums, vocalist stella attar and rub on bass. with three albums behind them, a seminal label we know and love as music for freaks and a top 10 hit with >the creeps<, freaks have journeyed through filter disco, quirky mid tempo house and minimal techno to cement their own revolutionary style.
luke, justin and stella are now writing new material for their 4th studio album and a best of compilation (out end 2009). from early demo listening, it looks as if it will be a mesh of all their electronic, disco and leftfield pop influences and will undoubtedly re-introduce their fans to a whole new level of freakish behaviour.

special 3x12 inch pack for all you maximum punishment lovers out there - contains 3 classic releases maximum02 / maximum07 / maximum08

the lobster white label series finally gets back into gear with a sublime five-track scorcher from core london member luke palmer aka ozel ab. after firing some deafening shots with last years crimes ep - which burrowed deep into some seriously trippy and journey d house, techno and acid - valis sees palmer develop those evolving arrangement ideas across five very different soundboards that bring his signature brain-fuzzed deepness, rubbery acid and dubbed-out sound design to the fore.

after the nuclear arms test that was the brain poacher black label, canary islands resident gilmer galibard returns to the lobster family via lucid, murky sub-label mörk. taking a much more languid and contemplative approach to his followup, “lost tapes” finds itself washed ashore on a waves of warm, translucent, salt-infused techno and house.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

nice price deal !!! echovolt expands its remit with the launch of a new series of mini-albums with the first edition coming from templeyard studios, a recently formed project of berlin-based greek artists miltiades and goolyk. met for the first time in berlin in 2014 and pretty soon started sharing sonic ideas and researching how they could affect the human brain, using hardware sound equipment.

british producer reformed society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. a self proclaimed goal that is easily noticeable in his first release for “made of concrete”, wherein he reveals three original tracks and a remix by gathaspar, one of the label’s regulars. kicking things off with “high tension”, a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the ep from scratch. a clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude. gathaspar’s rausch remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub- aquatic feel. on “volgende halte”, the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener’s brain. rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe. movement inducing from the get go, final offering “orbiting jupiter” centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.

the clone basement series dedicated to the true spirit of techno and music that excels in a dark smokey and isolated basement (including the dark corners of your brain) comes up with its first album release. this album explores the spiritual side of techno with a full length album by finnish artist aleksi perala constructed from parts of the various colundi sequence levels presented so far. this is a limited triple album containing the spirit of the colundi sequence and showcasing the multiplicity of emotions and conditions as defined through the colundi scales.

berg jaär is the new add on the arts roster, hard hitting pounding music that hits you in the body/brain like nothing else, power.

following up on his critically acclaimed this day ep, pomrad (be) debuts his full length with on and on records (fra) & jakarta records (ger) worldwide this summer. pomrad a.k.a. adriaan van de velde has lots of funk in his colorful trickster bag. just check out the title track knights of his album: its beats chug like the wheels of a locomotive and electrifying synth solos guarantee the best brain freeze you’ve ever felt. he could be your favorites producer, favorite producer with lefto & mr. carmack among his fans. his debut album knights, a collection of razor sharp keyboard licks, phat electro grooves and thick funk, following up on his ep release, which received radio support from mistajam (bbc radio1), alex nut (rinse fm) & lefto (studio brussels).

5 tracks of electro gold. some names you have heard before (cygnus and convextion in erp mode for instance) and some newcomers who ve have been honing their craft for quite some time now.. t.r.u. - texas recordings underground. a label in the making for quite some time now. with the overwhelming amount of talent here in the lone star state, it became apparent a label with the purpose of solely showcasing dj s and producers from this state was in order. from the border of mexico all the way up to the panhandle, you will hear lps and eps spanning the musical gamut with no concern for seeking specific genres. if it s good, it s good and you ll hear it.

trp makes his long-awaited solo ep debut with the insanely epic pano ep. rolling n pumpin’ jams scraped from the brain of the mpc with a rusty iron. battered, bumpin and cracklin in all the right places.

vactrol park, the collaborative endeavor between kyle martin (land of light) and guido zen (brain machine), returns to the esp institute with ii, rounding out the second half of their ep series. for this installment, a sojourn was made to stockholm to record at the computer music mecca, ems (elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary buchla 200 modular and serge modular, two of the rarest and most pornographic modular synthesizers in existence. while both instruments originate from california (buchla in berkeley as a commission from pioneer morton subotnik, and serge at the california institute of the arts), the music vactrol park draws from these machines is far from warm and sunny. akin to their predecessors on the 2015 debut i, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

the drumcode a-sides compilation is quickly becoming an important fixture within the techno world as a go to compilation for the hottest tracks. mixing both highly experienced and new artists helps to bring a new dimension to the compilation that makes it such a special array of tracks. all tracks individual, their unique characters bring an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. part 3 sees italian piero pirupa aka pirupa presents brain zoo dee pawa & 8bit head honcho nick curly s bbc

part two of fhloston paradigm (aka king britt) beautiful cosmosis ep series starts with the haunting broken techno of nimoy, bass line and subtle piano gently modulating over scissoring drum machines and dubbed out claps, the switches in rhythm and the layers of chugging drums catching you off beat. the track builds into a heart-tugging melody, the drums breaking up under it s force. return is a pure analogue brain massage of a track, a deep space exploration of undulating arpeggios and shimmering emotive notes. the hour finishes the record, slow building waves of melody and chords, shimmer and swell, the repetition and addition of a mournful bass line consolidate the emotional energy of the track.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.

the mysterious nurve follows up on his tectonic debut, originally released back in 2014, with 4 crunching darkside cuts, conjuring the spirits of ed rush & optical circa late 90s, to appear here in a techno form.

pyramid vritra presents the next generation of hip hop with dãnu (nrk / the order label). former half of odd future duo the jet age of tomorrow and a member of the up-and-coming nrk collective, the rapper and producer is an inventive storyteller whose sound ignites the brain.

its a great pleasure to welcome back waze & odyssey to the label, since their first please dont dance ep on dirt crew wich was released in early 2013 and that featured an excellent detroit swindl remix botht duos have had a massive rise and impact on the underground house scene worldwide. waze & odyssey have also had killer releases on their own imprint w&o street tracks and with their latest on the downlow single they stormed the dancefloors and major radio playlists. waze & odyssey is best know for their straight up bangin’ house cutz and with these two tracks you get exactly that! go go go is a filterred house banger that takes us back to the early chicago and french house productions from the mid 90s. on the other side of this fine 10 the deeper and more electrofied we go home delivers some nasty breakdowns and with its manic pitched and ascending lead sound it should shake and stir your brain to get your feet moving for sure. pure dance floor action with these two new waze & odyssey tracks!

ubuntu means *i am because we are*. ubuntu rec is the brain child of federico grazzini, an interactive open space where to share music and any form of art, with friends like-minded and whoever is interested in this modern laboratory. first vinyl is a collection of secret weapon played during the season, raw tracks produced by the newcomer e-dward!, double dash and federico himself.

every dog has that certain spot: you scratch it, and your four-legged friend starts kicking out in highest ecstasy, losing all control of his reflexes. the tunes of timboletti work pretty much like that. only he s using full-bodied bass lines to stimulate his audience. it almost seems like the bodies on the dancefloor get invisibly connected to the membranes of the speakers and their rhythmic movement. on top of that, timboletti employs psychelicious sounds and melodies, enchanted sample scraps and a pinch of acid, a cocktail that tickles through the brain of the listener as if somebody poured a glass of champagne into it. the essence of forward thrust and deepness, on this ep in five different variations and tree further remixes.

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.